I admire Jack London. Just read this fantastic description of Wolf Larsen from The Sea-Wolf,
"Pacing back and forth the length of the hatchway, and savagely chewing the end of a cigar, was the man whose casual glance had rescued me from the sea. His height was probably five feet ten inches, or ten and a half; but my first impression or feel of the man was not of this, but of his strength. And yet, while he was of massive build, with broad shoulders and deep chest, I could not characterize his strength as massive. It was what might be termed a sinewy, knotty strength, of the kind we ascribe to lean and wiry men, but which, in him, because of his heavy build, partook more of the enlarged gorilla order. Not that in appearance he seemed in the least gorilla-like. What I am striving to express is this strength itself, more as a thing apart from his physical resemblance. It was a strength we are wont to associate with things primitive, with wild animals and the creatures we imagine our tree-dwelling prototypes to have been -- a strength savage, ferocious, alive in itself, the essence of life in that it is the potency of motion, the elemental stuff itself out of which the many forms of life have been molded."
After reading that, can you say you don't know what Wolf Larsen looks like? No, you don't know the color of his hair, his eyes or what he was wearing, but DAMN, you do know what the man looked like!
London is just at good at portraying action. A couple of paragraphs later in that same book, he describes the dying moment of a man who's been lying on the deck for some time.
"The captain, or Wolf Larsen, as men called him, ceased pacing, and gazed down at the dying man. So fierce had this final struggle become that the sailor paused in the act of flinging more water over him, and stared curiously, the canvas bucket partly tilted and dripping its contents to the deck. The dying man beat a tattoo on the hatch with his heels, straightened out his legs, stiffened in one great, tense effort, and rolled his head from side to side. Then the muscles relaxed, the head stopped rolling, and a sigh, as of profound relief, floated upward from his lips. The jaw dropped, the upper lip lifted, and two rows of tobacco-discolored teeth appeared. It seemed as though his features had frozen into a diabolical grin at the world he had left and outwitted."
One more indulgence (It is my blog, after all!). In the next paragraph, London describes the captain's tirade at the man's death. In addition to more of London's descriptive genius, it demonstrates his dry humor, which permeates much of his writing, and I can't resist copying it.
"Then a most surprising thing occurred. The captain broke loose upon the dead man like a thunderclap. Oaths rolled from his lips in a continuous stream. And they were not namby-pamby oaths, or mere expressions of indecency. Each word was a blasphemy, and there were many words. They crisped and crackled like electric sparks. I have never heard anything like it in my life, nor could I have conceived it possible. With a turn for literary expression myself, and a penchant for forcible figures and phrases, I appreciated as no other listener, I dare say, the peculiar vividness and strength and absolute blasphemy of his metaphors. The cause of it all, as near as I could make out, was that the man, who was mate, had gone on a debauch before leaving San Franciso, and then had the poor taste to die at the beginning of the voyage and leave Wolf Larsen short-handed."
Haha! Love it, love it, love it.